This month’s choice was inspired. We decided to read Catch-22 by Joseph Heller.
Most of us hadn’t read it since school (and some not at all), so it was a rare treat to have an excuse to re-visit a book that you probably wouldn’t naturally decide to go back to without a good reason. I remember loving it when I was 15, but I couldnt remember why and I wouldn’t have chosen a book about the second world war and one man’s apparently futile attempts to get out of fighting when there is Swedish crime a-plenty out there.
That said, I loved it all over again. The perspective that a bit of extra life gives you on a book like this is wonderful. I found it all the more poignant reading it as a mother and a wife, and all the more hilarious with twenty more years of comedy behind me. Heller’s writing is fantastically well observed, he manages to shock, thrill gladden and sadden all at the same time and for a few days after I finished it, I found myself pathetically googling the main characters to see if anyone out there has figured out exactly what became of them. Definitely add it to your list if you haven’t done it already.
After Catch-22 I went for something a bit different – set in the future and describing a post-apocalyptic world that is all too easy to imagine coming true, Oryx and Crake by Margaret Atwood, was my favourite book of the year so far. A love story, the story of a man’s struggle for survival and a techie-nerd wonderland of possible-almost-true-too-terrible-to-contemplate-likely-futures, it was riveting. I love her style of writing and I was gripped, depressed and forced in to slightly deeper thoughts than usual as a result of reading it. Everything you could want from a good read. Magical.
Finally for this batch, I tried Couples by John Updike. It starts out by introducing us, rather vaguely, to a group of families (couples with hardly-ever-present children) living in a small American town called Tarbox. They are post-war adults looking for a beautiful way of life where their children are independent and well educated and free, and they live in beautifully rennovated, authentic houses, with varied interests, witty friends in a lively community.
The reality is they are a bunch of grubby snobs with all the social inadequacies you would expect from people in unhappy marriages, who are very rarely exposed to anything other than a mirror of their own fatuousness. If everyone else is at it, why shouldnt I…..?
They judge others as a way of life, and if they manage to find themselves wanting it is not with chagrin or remorse, but with a fascinated zeal that they might discover they are somehow more interesting than they first believed. They slip in to easy and unnecessary adultery, their children are basically neglected and they all seem to pitch their lives to revolve around the study of how special and miserable they are.
Updike’s prose is florid and sometimes burdensome but it helps to lift the story from the mundane and slightly tawdry in to the realms of something worth experiencing. The women are all either pinched or fullsome and the men are spectactularly unattractive, one description of a man’s wet bottom lip and forever-pursed mouth will stay with me forever. The idea that we might be embarking on a journey where women other than his wife might choose to kiss it is tough to take.
I didn’t like any of the characters (and there are many). They were either simply stereotypical window dressing to provide context and fodder for the main characters, or they were just spectactulary selfish, ignorant, deluded folk.
That’s not a good enough reason not to read it though. Updike is writing about a class and group that we can see glimmers of in every group of “couples” that move around eachother socially. His novel transcends time and gives us all an opportunity to reflect on religion, love, parenthood and relationships whilst also being able to sit in judgement of his “fictional” characters. Good therapy.